I mostly boycotted NCAA football yesterday, and got busy with an absolutely insane F1 race from Italy. It is the Tuscan Grand Prix, celebrating Ferrari’s 1000th F1 race. But is is a shit cookie cutter circuit, and the course is WAY too narrow. It is nuts, eight cars have already crashed out, and there has been safety cars out and two, TWO full red flag suspensions of the race.
Anyway, after the Chefs cooked and BBQ’d the Texans on Thursday, today brings a full slate of games.Brady and the Bucs have a very tough opener with the Saints. Probably can’t win it, but we will start to see how they are going to look. Cards are choking on the Santa Clara air to play the 49ers.
Eh, it is a new year for everybody. Discuss!
Dead Flowers On Kentucky Derby Day
Hi there Trash Talk fans and fannettes, we are back. Personally, I think opening up B1G and SEC football is a declaration of pandemic war on society, especially in some seriously at high risk areas without the ICU resources to cover in a mass problem. Led by Trump, however, this seems to be the clarion call dopes cannot refuse.
Is it the move of voices like Trump, the flailing NCAA athletic departments, or the craven interests of Insta Sports betting interests like Fan Duel and Draft Kings who are desperate to make money now because their precarious and sick corporate lives depend on it? Don’t sleep on the latter, and pay attention as to the ever increasing Insta Sports Betting commercials soak up ad time on ESPN (and their chief shill, Mike Greenberg) and other sports channels. It is a full on push, and they cannot wait for the pandemic to end if they are to take over the gaming world. ESPN is all in on this garbage. Why? Because it is big advertising bucks, and money is their business. It is that simple.
Okay, on to the actual sports. First, today is, improbably, Kentucky Derby Day. As my family originally came from Kentucky before the cactus patch, the Derby is something special. Always has been and always will be. The Derby in September, without the people and hats in the stands, seems wrong. But the horses deserve to run in their time, so okay. F1, and even Indy, have proved that closed circuit courses with fast action are still compelling on TV. Frankly, so too has the NBA and NHL “bubbles”. So, it will still be interesting to see the Kentucky Derby.
One of our early partners and contributors here at Emptywheel, and even before the formal formation of the Emptywheel blog, was Mary. Mary lives on in our recollections and history, and her family, but will be forever known as the one that put horses in our bailiwick. Something Emptywheel Roving Reporter took to ground. So, when horses are up, the memory of Mary is as well. Today is an improbable, and weird day, for the Derby. But let it be run, for the horses. From CBS:
Though the NFL and Kentucky Derby are never mentioned in the same sentence, 2020 has been anything but usual. Even though the 2020 Kentucky Derby will go off Saturday, Sept. 5 on the brink of Week 1 in the NFL, all eyes will be on Churchill Downs, where 16 of the top three-year-old horses will load up for the 146th Run for the Roses. Tiz the Law won the Belmont Stakes earlier this summer and is aiming to become just the 14th horse in history to win the Triple Crown and the first since Justify two years ago.
There is also the NBA, and the “embubblement” is working far better than thought possible. The games are great down the stretch.
NFL football, surprisingly, seems not far off. There is no more fascinating and competitive division than the NFC South. Couple of years ago that would have been shocking, now it is a fact. Bruce Arians, Brady and the Bucs are the most interesting story in the NFL this year. Can they really live up to that interest? I dunno about that. What a division to have to deal with, it is imposing. We shall see.
F1 is back again this weekend. Monza. There are a lot of famous historical races. Monza is very much at the top. This is not a normal year, and the front of the field has been more boring than ever in history by my eye. There is actually pretty decent racing behind the front markers and midfield. I will watch, but do not have much hopes for Monza being the nail biting theater it once was.
As summer starts to wane, today’s music will be by the Loving Spoonful. It was almost Donavan with images of the great Sue Lyon, but I think I already did that years ago. So, let’s have a good weekend folks. Rock on and chat about anything. Also, of course, Dead Flowers for Kentucky Derby Day, because there will be few Derby Days here without that.
The Chicks Are Owed An Apology
Once upon a time, back when the United States was under the leadership of another fairly incompetent Republican President (yes yes, Bush and Cheney look a little better now compared to Trump and Pence, but only because they were actually semi-competent in their evil, but they were still very evil), there was was sensationally good crossover country/pop group known as the Dixie Chicks.
They were country, but never of the “stars and bars” Dixie kind. It was simply an appellation. In fact, they were all pretty forward and progressive thinking and talking. And man did they get in trouble for it. I guess the new term of the day is “cancelled”, which is kind of an idiotic term, but the howlers really did try to obliterate Natalie Maines, Emily Strayer and Martie Maguire. From Wiki:
On March 10, 2003, nine days before the invasion of Iraq, the Dixie Chicks performed at the Shepherds Bush Empire theater in London, England. It was the first concert of their Top of the World tour in support of their sixth album, Home. Introducing their song “Travelin’ Soldier”, Maines told the audience the band they did not support the upcoming Allied invasion of Iraq and were “ashamed” that President George W. Bush was from Texas. Many American country music listeners supported the war, and Maines’s remark triggered a backlash in the United States. The Dixie Chicks were blacklisted by thousands of country radio stations, and the band members received death threats. Maines issued an apology, saying her remark had been disrespectful; in 2006 she rescinded the apology, saying she felt Bush deserved no respect. The backlash damaged sales of their music and sales of their next album and tour.
In a September 2003 interview, Maguire told the German magazine Der Spiegel: “We don’t feel a part of the country scene any longer, it can’t be our home anymore.” She noted a lack of support from country stars, and being shunned at the 2003 ACM Awards. “Instead, we won three Grammys against much stronger competition. So we now consider ourselves part of the big rock ‘n’ roll family.” Some fans were dismayed, but the group made no clear response.
If you have forgotten, which is awfully easy to do in these pandemic days of Trump, this was a huge deal at the time. The United States government under the Bush/Cheney regime, and the entire country music scene hated on them and ostracized them. It was one of those kind of fulcrum moments. It was not just the Iraq war, it was torture, the unitary executive, free speech, protest…..everything was wrapped up, in a cultural way, in the actions of the Dixie Chicks. It was symbolic of the divide.
But Natalie Maines, Emily Strayer and Martie Maguire were bad ass and stuck to their morals and thoughts. They got hammered at the time, but they hung in and are still here bigger and badder ass than ever. They are now just The Chicks, having dumped the Dixie part of their original name. The Chicks are owed a debt of gratitude and an apology for the idiocy and bigotry they faced from the howlers during the Bush/Cheney years, and they are here to let you know they are still on the good side of the cutting edge.
The Chicks have a new song and video out. “March March”, and it is truly awesome. A song for this time. I saw it last night at Atrios’ joint, and it is really superb. Take a look. Expand it and watch it full screen, it is worth it. This is the music of protest, and in the best way. Music was key in the 60’s and it is key now. It spreads far and wide what people feel, whether they are in the streets or at home. The “at home” part seems even more pertinent now in the time of unabated pandemic at the hands of yet another evil Administration. And that is our trash talk for this weekend, get on it!
Trash Talk: The NBA’s Insane Money Grab Scheme
I really don’t have a lot for this week, but there is this: The National Basketball Association is desperate to join the Grand Reopening. And boy is it a doozy. Via ESPN:
“the NBA’s board of governors overwhelmingly approved a proposal for 22 teams to return to play, starting July 31 at the ESPN Wide World of Sports Complex at Walt Disney World Resort in Orlando, Florida.
Before the NBA can come back, teams must reassemble in their home markets. That means bringing back players who left for their hometowns — or, in some cases, home countries — while the league sorted out its plans. Players who return from overseas are likely to be subject to a two-week quarantine upon arrival, under current federal rules.
Teams will continue to hold individual workouts in their facilities. A training camp will start June 30 and last a week. All teams will fly to Orlando on July 7, three weeks before the restart of the season. They will likely have to quarantine for some period; Florida law requires people flying in from some states, including New York, to quarantine for 14 days.”
Orlando you say? Yep, they are all going to DisneyWorld to live and play in a “bubble”! The 22 teams include six, including the Phoenix Suns, that were not in playoff contention when the season was stopped. Why, you ask? Well it is literally as simple as more teams equals more games to broadcast, and therefore more money to make for the plantation owners of the NBA. A group that is all white with the exception of Charlotte’s Michael Jordan, Sacramento Kings owner Vivek Ranadivé, who is Indian and Joseph Tsai of the Brooklyn Nets. The players they are summonsing to live and play in the bubble are, of course, about 75% black.
“In a string of tweets on Wednesday, ESPN’s Adrian Wojnarowski outlined conversations that were taking place over the last couple of days including a large group of “several dozen” players who believe resuming play in Orlando is a bad idea.
According to Wojnarowski, because of the dissenting views, the NBA and NBPA are likely to agree on a provision in which players would not be required to join their respective teams for the restart of the season. The two sides are working toward an agreement that would not include disciplinary action for players who choose to stay home, though they would lose a portion of their salary for games missed.”
Yeah, while players want to play theoretically, who wants to live in a bubble far away from home, with limited, if any fun, friends and nightlife so the league can rake in some bucks off of TV revenue? And probably little to no family contact. There will, of course, be no fans and players and coaches will be Carona tested every day. Older coaches may not be allowed, which would be horrid, and, frankly, probably a violation of age discrimination protections.
There are a LOT more issues too, starting with how Covid secure will “the bubble” actually be? It might work. It might t not. There are a lot of moving parts on that. As to those parts and all the other problems, this article by Zach Lowe at ESPN is really good, and I urge you to take a read of it.
It will be really interesting to see how this plays out. Were I an NBA player, I think I’d take a pass on this harebrained scheme and say see you next year guys.
Well, that’s it. The Zach Lowe piece really is a worth a read to get the full picture. Today’s music is, of course, Roundball Rock, one of the best sports theme songs ever. Yeah, I know, it is John Tesh, but with a full big band, and it is pretty good. Hoop it up folks!
The Fabulous Emptywheel Music Blog: Country AND Western Edition!
Welp, it has been another glorious month week living the glorious life in Trump’s America. So let’s have a little fun and games.
I am pretty much normally a rock and roll person. Ed Walker’s opera and Zappa post was wonderful. So, let’s change it up a bit. Country and Western! Believe it or not, when I was younger, and before I had a drivers license, I went to a few C&W shows with some family friends. He was, seriously the principal of my grade school, and his wife the school nurse. Both simply fantastic people. And they loved C&W.
Pretty sure the first one was Johnny Cash and the Carter Family. I was not expecting much, I was just going because, well why not? And boy was I wrong. Fantastic. Oh, and I do believe the great Carl Perkins was on guitar for Cash at the time and did a truly rocking version of Blue Suede Shoes.
My recollection is that the second was Charlie Pride. Again truly fantastic.
What a presence. What a band. What a voice. Smooth and beautiful.
The third was Buck Owens and the Buckaroos. They had a huge following in Phoenix from very early on. In their early years they were serious regulars, if not kind of the erstwhile house band, at the original Phoenix Honky Tonk, Mr. Lucky’s.
Mr. Lucky’s was a place that regularly hosted some of the biggest names in country music – Glen Campbell, Willie Nelson, Johnny Cash, Ray Price, Tom T. Hall, George Jones, Loretta Lynn, Waylon Jennings and pretty much everybody else. But Buck and the Buckaroos kind of owned the joint (literally for a while as I recall).
There is truly a lot of great country and Western out there, lets discuss it!
Normal Trash Talk rules apply, anything and everything flies.
Special Trash Talk: Frank Zappa and Opera Chorus. Really.
Pretty much everyone I know sings along with their favorite music. I started singing along with music my folk liked, and then pop stuff, Beach Boys, Beatles, the usual. In the summer of 1966, Frank Zappa and the Mothers of Invention released their first album, Freak Out. I stumbled on it in late 1967, and soon knew all the songs, and bought Absolutely Free and learned those too. They got me through ROTC summer camp, singing a few bars of Plastic People while stupid marching for miles.
Call any vegetable
And the chances are good
That a vegetable will respond to you.
After I got out of the Army I bought several more Zappa albums, including Cruising With Ruben and the Jets and Fillmore East — 1971. But then law school and part-time work, and dating, and my time for serious listening shrank to near zero.
And then I met my wife. She loves opera, so we saw every one produced by the excellent opera theater at Indiana University, which has a full-fledged opera venuevivace. The first opera we saw was Wagner’s Parsifal. I saw most of the first tune in each act, and zoned out for the rest. But I went back for more.
Eventually we wound up in Nashville, TN, where some of the leading supporters of the arts established an opera company in the mid-80s. We saw Madama Butterfly, and a couple of more, and then I found myself in the chorus for Il Trovatore, singing in chain mail. tights, dark make-up, and wielding a three-foot long steel broadsword. I was hooked. Not so much on operas per se, but on opera chorus singing.
It’s not like singing in Church Choirs or Symphony Chorus, which I have also done. In those settings, you listen closely to your neighbors and try to blend your voice with theirs. Good technique is a plus, but most amateur choirs are made up of, well, amateurs. In opera chorus singing, you sing with your full voice including vibrato. The blend comes from singing the exact same pitch on the exact same vowel for the exact same length of time. And you do it from muscle memory, singing near the top of your power, while moving, bending, swinging a heavy sword, riding a ten-foot tall barrel wheeled by your comrades, dancing, or, sadly, just standing and singing, which we call park and bark.
What’s the connection to Zappa? As I see it, opera treats the human voice as a primary instrument. The operatic voice is a trained instrument, capable of a wide range of timbre, power, and expression. Operas are spectacles, with sets, costumes, orchestra, and driven by over-the-top emotions. The voices are the critical part of the spectacle, carrying the emotions up. And that’s just like Zappa’s music: spectacular, relentless, and full of emotion, mostly anger, but also ribald or just fun, and the human voice is a critical part of that emotional ride.
Many of his songs feature his band singing instrumental tunes or making vocal noises. On Absolutely Free, you can here a typical bits in several pieces, both sung with words and with vocal sounds. Here’s a short example, Amnesia Vivace. On Fillmore East — 1971 the group performs what amounts to a smutty opera in the extended piece Mud Shark. Bwana Dik is a full-fledged if short aria; it’s at 14:55 here. Zappa had recruited three former members of The Turtles, and they were real singers. Here’s a very strange bit, John Lennon and Yoko Ono join Zappa and the Mothers of Invention starting at about 1:30, featuring Ono shrieking like a hungry cat while Lennon sings a mindless song backed by the Mothers, who put in their own odd vocal bits especially at about 6:50.
To illustrate the difference between chorus singing and opera singing, here are performances of perhaps the most famous operatic chorus song, Va Pensiero, from Verdi’s Nabucco. (Translation.) First is a performance by the chorus of the Teatro Al Fenice in Venice in concert. Compare it to this performance by the Metropolitan Opera Chorus. And for good measure, here’s a Zoom performance in commemoration of Italy’s losses to Covid-19.
One of the main functions of opera choruses is to provide some life to what might otherwise be static. For example, in a typical production of Wagner’s Flying Dutchman, when the baritone meets the soprano, they stand on opposite sides of the stage and sing for about 20 minutes. But the opening of Act 3 is thrilling to sing, and the chorus is asked to perform a standard role, the drunken sailor.
One of my favorites is Brindisi from Verdi’s La Traviata. The chorus is clearly part of the action, attending a fancy dress party. They sing two choruses, and then sing an instrument-like accompanying part at the end.
One more: this is from Act 1 of Puccini’s Turandot. It demonstrates the difficulty of singing opera chorus. Maintaining sound quality while moving, waving your arms, dropping to the floor and then trying to find the conductor because the orchestration is absolutely not helping is hard. Perhaps you can imagine the pleasure that comes from singing these songs with your friends.
So what’s your favorite sing-along music? It’s Trash Talk so don’t be shy about your jonesing for Tom Jones!
The Emptywheel Fabulous Car Blog! Formula One and Car Flicks
So, we shall take a brief respite from the fabulous music blog this weekend to bring you a fabulous car blog. Off to the races!
There has been a shake up in the F1 force. And man is it palpable. By the end of the last circus, it was quite clear that management at Ferrari had come to consider young Charles Leclerc as their number one driver, over four time World Champ and presumptive number one, Sebastian Vettel. It was no secret on the paddock from the people I still talk to. Vettel knew it, Leclerc knew it, everyone knew it. It has so come to pass. The 2020 season driver stables were already set, and they will continue as such. But for the 2021 season, which is now well less than a year away, big changes are afoot.
Vettel is out at Ferrari, and Carlos Sainz is in. Sainz is very, very good, and his family has a rich history in motorsports. He is commonly viewed as a very good pilot, but one hampered by less than first order equipment, and I think that is right. Sainz will have that kind of car now. He and Leclerc will make for a great, and energized young team. That is something Ferrari is not usually known for, but this is a great move, and one for the times at hand. Sainz is leaving McLaren, who is poised to replace him for 2021 with Daniel Ricciardo. This is also a great move for McLaren, who sign up a true number one driver, with numerous F1 wins and podiums, to pair with the still quite young, but promising, Lando Norris. Take note: for 2021, McLaren starts getting Mercedes engines to pair with their already ridiculously good chassis. Don’t sleep on McLaren.
Where do the rest of the chips fall? Now there is the great unknown. Vettel is a four time champ, can he find a home at all? Sebastian can still drive, you would think so, but that is up in the air. Do Hamilton and Bottas stay as a team for 2021? My guess is yes, but that is also a question. The F1 season was supposed to kick off in March with the Australian, but the Covid thing put the kibosh on that. It is tentatively scheduled to start with Austria in seven weeks, maybe for two races, and then Siverstone with two races. They are desperate to get at least a fifteen race schedule in, if possible. And will there be fans in the stands? Initially, it looks like no, but stay tunes.
Okay, since not everybody knows F1 as well, we are tossing in car movies for this weekend. There are a litany of great ones. You know what you have seen and appreciated over the years. I am going to throw out a few of my favorites just to get the ball rolling. They are by no means exhaustive, and not necessarily in a perfectly ranked order.
Grand Prix _ John Frankenheimer’s 1966 opus is the gold standard. It is a tad long, but the characters gritty and the performances beyond fantastic across the board. The driving scenes are some of the best ever, as well as John’s innovative use of split screen, a legendary move.
Vanishing Point – From 1971, and calling it a cult classic is not giving it enough credit. Spectacular and haunting in a myriad of ways.
They Drive By Night – Directed by Raoul Walsh and starring George Raft, Humphrey Bogart, Ann Sheridan and Ida Lupino. It is both a driving movie and film noir, both at their best. Fantastic.
Two Lane Blacktop – This movie is great. The genius is obvious. Really, you have to see it, and while James Taylor is surprisingly good, keep your eye on Warren Oates, in a legendary performance. Duel from the same year, generally considered to be Steven Spielberg’s first full movie. is very good, but Two Lane Blacktop is better.
It Happened One Night – There has to be room for at least one comedy here, and this is it. Clark Gable and Claudette Colbert are simply perfect, as is the story. Capra and Cohn at their best. Walter Connolly darn near stole the show.
Some honorable mentions in no particular order: Dirty Mary, Crazy Larry, Thelma and Louise, Used Cars (Kurt Russell and Jack Warden were fantastic. A real sleeper, even if a low budget one), Baby Driver (seriously great and a must watch).
Okay folks, rip this joint with your thoughts!
The Fabulous Emptywheel Music Blog: Little Richard
Things come, and they go. And we all do sooner or later. Today, Little Richard passed. I once heard (no, I have no idea where) Keith Richards say, and I am paraphrasing only slightly, “Chuck Berry wrote all the rock and roll songs”. Paraphrasing or not, that is about right. But he should have included Little Richard.
And now Richard Wayne Penniman is gone, There have been rock performers as big, sure. But few as seminal and important as Little Richard. He was, and stands, for everything rock became in his and Chuck Berry’s forever wake.
“In 2004 Little Richard wrote a profile of himself for our Immortals issue. He explained why he was so dangerous at the time — because was the first black artist whose records the white kids were starting to buy”
Yes, along with Chuck, that is exactly right. So, a little bit of Tutti Fruity for the weekend.
On another sad note, I was lazy and did not put up a thing last weekend. But our Roving Reporter Rosalind wanted to acknowledge a friend. And we shall do so now. The Covid deaths are real, and they hit home to one and all. So, a few words from Rosalind:
“While we are surrounded by sadness at the growing number of people losing their lives to Covid-19, we mourn also the everyday deaths that take away friends and family. Today I honor my longtime neighbor, Sam Lloyd, the hilarious character actor best known as the lawyer “Ted” on Scrubs. We had side-by-side parking spots at our Hollywood apartment building and caught up with each other regularly heading in and out. Beyond being one of the nicest and funniest human beings, he possessed a gorgeous singing voice, featured regularly with his four-part harmony group “The Blanks” on Scrubs. The tributes to Sam on twitter from all around the world show how far his comedic and musical powers reached. We are so fortunate to have a world of re-runs to keep us smiling, and his memory alive.
For me, I will always remember standing in line at the grocery check-out stand when Sam suddenly rushed up and asked if he could cut in line. He was headed to a show with The Blanks and realized his Commando Action Figure’s batteries were dead (those lucky to see The Blanks show in person know the Commando Action Figure is a highlight of their set). I of course let him in, and he threw down the cash and ran out batteries and Commando Action Figure in hand. Rest in peace, Sam.
Such is where we are at today. The world is going crazy and you wonder if anybody gives a damn anymore. Here, we do. Thank you for doing so along with us. There will, of course, be others. But Little Richard was special. RIP.
The Fabulous Emptywheel Music Blog: Setting The Scene
Okay, alright, enough of that live music stuff. This weekend, off another suggestion by Emptywheel Roving Reporter Rosalind, let’s do music documentaries! These are her remarks:
Music Documentaries (NOT films of live concerts). In 2019 there were several docs I watched that hit the music EW demographic sweet spot, including:
Linda Ronstadt: The Sound of My Voice
David Crosby: Remember My Name
Gordon Lightfoot: If You Could Read My Mind
Miles Davis: Birth of the Cool
Boy Howdy: The CREEM Magazine Story
Mr. Jimmy – story of a Japanese guitar player who takes his Jimmy Page hero-worship to a whole nother level
Echo In The Canyon – Laurel Canyon music scene, 1/2 OK interviews w/various musicians, 1/2 self-indulgent concert featuring Jakob Dylan performing boring versions of the originals.
The Gordon Lightfoot and Miles Davis docs are ones I would never have thought to seek out and sparked a whole new level of appreciation for the two. The footage of their early musical lives is really something.
The Linda Ronstadt one is truly fabulous. I’ll have to look for the Gordon Lightfoot one, but have always loved him. Heard Carefree Highway long ago, and that sits awfully special to people here that actually drive on the Carefree Highway (yes, it really exists).
I’d like to add one music documentary to Rosalind’s list: Super Duper Alice Cooper. It is truly fantastic. You may think “eh, I dunno, that’s crazy”, but it is really good and, I think, available streaming online. And, yes all crazy, but those were the times back then, it “was” crazy.
Also, because this will invariably morph into the greatest music documentaries ever, let me throw in a couple of Scorsese classics: The Last Waltz and Shine The Light.
So have at it, whether music, the NFL draft or whatever. This weekend’s scene setting music is…..You Set The Scene by the incomparable Arthur Lee and Love.
Arrrr Matey, There Be A New Bucco In The Bay
Marcy is penning all kinds of smart posts today, go read them. But as this is now a sports and music blog, I have an incredibly important update.
The Patriots have agreed to trade Rob Gronkowski to the Buccaneers, pending a physical, in a deal that reunites the retired tight end with Tom Brady in Tampa Bay.
Gronkowski’s agent Drew Rosenhaus confirmed Tuesday to ESPN’s Adam Schefter that his client was traded to the Buccaneers.
“Pending the physical, Rob has agreed to play for Tampa this season,” Rosenhaus told Schefter. “He will honor his current contract at this time.”
Gronkowski, who turns 31 next month, has one year and $9 million remaining on his current deal with the Patriots. New England will receive a fourth-round draft pick while the Buccaneers also receive a seventh-round pick in the trade, a source told Schefter.
Gronkowski already has taken his physical in Boston with a neutral physician, a source told Schefter, and is awaiting the official results. One source added to Schefter that he believes Gronkowski passed “with flying colors.”
Most Receiving TDs From Tom Brady
The 78 touchdowns Tom Brady and Rob Gronkowski connected on were the most in the NFL from 2010 to 2018. They are also twice as many as Brady has thrown to any other player.
Rob Gronkowski 78
Randy Moss 39
Julian Edelman 36
Wes Welker 34
Tampa Bay was the only place that Gronkowski was willing to play, a league source told Schefter. The Boston Herald first reported Tuesday that Gronkowski asked the Patriots to trade him to the Bucs.
This is exciting. At a time when there is no live sports news, this is huge. It would be huge even if there were not a lockdown on live sports. And, please keep in mind that the coach of the Bucs is Bruce Arians. Few here short of Scribe probably know exactly what that means. I do, because Arians was the gruff and engaging coach of the Cardinals for several years before his short lived retirement.
Arians lives by the motto of “No Risk It, No Biscuit”. In short, he believes in taking the top off and opening up the entire field. Neither Brady nor Gronk have ever had that, and they are made for it. TB12 will have a few more interceptions, and he and Gronk will have a hell of a lot of fun. The Buc’s wideouts, Mike Evans and Chris Godwin, were already seriously fantastic. Tampa did not even have to give up tight end OJ Howard (though, with Gronk on board, they likely will for even more help. Watch for it).
This is an absolute steal. Bill Bel needed the salary cap room desperately, but, still, this is a steal. A fourth rounder for as good of a tight end as ever played? And the Bucs get a seventh rounder thrown in too? Jeebus.
We have no idea if, when or how the NFL will return to play. But when they do, Tampa Bay is going to be seriously fun to watch.